Zado Eastern European Vocal Ensemble
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News, Links, & Inspirations


Auditions

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​​Interested in World Music/Balkan singing? Looking for musical adventures? Our group seeks new singers with accurate intonation, rhythmic capability, strong group singing skills, and engaging stage presence.  
Contact: zado@zadosings.org


Bulgarian Styles of Folk Singing

​Regional Styles - Traditional and Modern
Each region has a distinctive style. The Bulgarian people take pride in the songs and vocal styling even today. More recently, traditional village melodies have been embellished and refined into popular, modern compositions—sometimes containing classical, impressionistic, and jazz musical elements.

Four Major Areas of Bulgarian Singing Styles:
  1. SHOPE REGION: western mountains by capital of Bulgaria, Sophia
  2. RHODOPE REGION: southern Rhodope mountains
  3. PIRIN REGION: southwestern Pirin mountains
  4. NORTHERN THRACE REGION: middle, borders Greece and Turkey to the south

SHOPE Region - Traditional Style
Traditionally songs of the Shope region consisted of two parts (melody and drone). Traditional Shope singers loved to sing in very close harmonies and both open or regular rhythms.
  • A cappella duet by Daniel Spassov and Milen Ivanov 
  • ​Shope singing by Abagar Quartet ​
SHOPE Region - Modern Compositions
In the 1960s, Bulgarian composers began creating modern arrangements. Philip Koutev started a vocal ensemble in Sophia with the best singers in the villages, which evolved into Le Mystere des Voix Bulgares. Koutev and other composers created embellished compositions based on folk songs that still embody the feeling of the original songs. 
  • Dimiyaninka (arr. P. Koutev) - Koutev Ensemble
  • Ergen Deda - (arr. P. Koutev) Le Mystere des Voix Bulgares

RHODOPE Region - Traditional Style
Rhodope style of singing is influenced by the bagpipe they play (the Kaba Gaida), which is much larger and lower in pitch than gaidas from other regions. Rhodope women sing lower in pitch as well, and vocalization is generally softer. The style is usually single-voice or unison singing of melodies, with lush vocal ornaments with even rhythms (2/4, 4/4)
  • Old Bulgarian wedding song - Moma se s Roda Proshtava
  • Molih Ta, Majcho, I Molih
  • Kodjilio, Pisan I Sherian/Razvivavy - Kushlevi Sisters
  • Kodjilio, Pisan I Sherian - Eva Quartet
  • Devojko Mari Hubava - Quartet Slavey
  • Devojko Mari Hubava - gaida w men singing
RHODOPE Region - Modern Compositions
Koutev arranged songs from the various regions of Bulgaria. Many of the well-loved compositions are from the Rhodope region, with beautiful flowing harmonies.
  • Tche Da Ti Kupim Bela Seitsa - (arr. P. Koutev) Le Mystere des Voix Bulgares
  • Vecerjaj Rado - (arr. P. Koutev) Philip Koutev Ensemble
Some very modern Bulgarian compositions combine Bulgarian folk songs with jazz, classical, and electronic music and include musicians from around the world contributing on the songs. The Eva Quartet in 2011 connected with Hector Zazou, a French musician and producer, to create “The Arch” album, an innovative fusion of music and traditions. “Razvivavy Dobro” is a Rhodope song from the album that Zazou composed. The 
  • Razvivavy Dobro - (arr. H. Zazou) Eva Quartet

​​PIRIN Region - Traditional Style
The Pirin region of Bulgaria is close to Macedonia on the west. 7/8 rhythms (3-2-2) are common in the Pirin region (7/8 = Lesnoto dance form) and in Macedonian dances. The singing style is similar to Shope singing, i.e., songs frequently consisted of two parts (melody and drone) and sung in close harmonies with frequent dissonances. The singing works best if the timbres of the melody and drone voices are matched.
  • Zaplakala E Pirin Planina - Biserovi Sisters
PIRIN Region - Modern Composition
Two more modern Pirin compositions are arrangments by Philip Koutev. The first, "Dumaj Zlato," is in 7/8 rhythm but sung more free form to allow for the expressiveness of the lyrics. The second, “Zaspala E Fida,” begins with 9/16 (2-2-2-3) rhythm and changes midway to 8/16 rhythm. 
  • Dumaj Zlato - (arr. P. Koutev) Koutev Ensemble
  • Zaspala E Fida - (arr. P. Koutev) 
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THRACE Region - Traditional + Modern Style

The largest and most representative folklore region in Bulgaria is the region of Thrace. In Thracan music, you’ll hear quarter tones and Turkish-influenced scales, complex rhythms based on village folk dances, and various vocal techniques. Janka Rupkina was a most famous Bulgarian singer from Thrace. She was the soprano and lead singer of Le Mystere Des Voix Bulgares and Trio Bulgarka. She was known for her extensive ornaments and haunting sounds. The current most famous and beloved singer from Thrace is Tsvetanka Varimezova, current Professor at UCLA and mentor to many Bulgarian singers and singing groups throughout the world.
  • Janka Rupkina and Tsvetanka Varimezova singing in 1989
THRACE Region - Modern Style
A famous Thracian modern composition is "Kalimankou Denkou," which includes Ottoman-influenced musical scales and a stunning performance by Janka Rupkina. A well-loved composition by Koutev is Dragana i Slavei.
  • Kalimankou Denkou - Le Mystere des Voix Bulgares
  • ​Dragana i Slavei - (arr. P. Koutev) Le Mystere des Voix Bulgares

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Tzvetanka Varimezova

Inspirations

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2018 Album: Our 2018 album features a cappella songs as well as songs with instrumental accompaniment and include dance tunes that have special meaning for us. We have particularly focused on reviving a number of older folk songs and dances that are memorable:
  • Dunayetska Voda - an a cappella Polish folk song in three sections, learned from the repertoire of Ethel Raim, founder of the Pennywhistlers, about a girl remembering the past and singing to a lover of many years ago.
  • ​Gorani (Daronee) - a folk song and dance (as part of several songs/dances) choreographed by Azat Gharibian of the Armenian State Song and Dance Ensemble and introduced by Tom Bozigian in the U.S. This slow, haunting song and dance is about love for Daronee, one of the most devastated towns of the Armenian genocide that occurred between 1915 and 1922. Although Gorani was a love song during the Middle Ages, it became a "term of endearment" in which the longing for the lost homeland and the lost beloved become one.
  •  Kak Za Lugom - a folk song from Siberia and a folk dance choreographed by Hennie Konings, taught as a folk dance at Stockton Folk Dance Camp by Radboud Koop. The song describes the joys of being in love, working, drinking, and being proud of native Siberia.
  • Letyat Utki - a beautiful a cappella Russian folk song learned from the repertoire of Ethel Raim, about a girl waiting for her lover to return.
  • Trugnala E Moma Ruma - a lesnoto dance, this song was originally sung by the beloved Macedonian singer Ilia Argirov with the Pirin Ensemble and Orchestra. The song tells about a shepard who longingly asks a maiden to come with him but she refuses. Learned from Trudy Israel with arrangement adapted from Koliu Kolev.
  • Trugnala E Malka Moma - an a cappella Bulgarian folk song learned from recordings of the renown Trio Bulgarka about a maiden and eligible bachelors who sit and talk by the cool river until the crescent moon appears.
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Ethel Raim
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Armenian State Song and Dance Ensemble
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Ilia Argirov
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Trio Bulgarka

1985 Album: Our 1985 Zadovoljan album included a wealth of Bulgarian songs, particularly those arranged by Philip Koutev:
  • Dilmano, Dilbero
  • Na Pat Jodam, Za Pat Prosham
  • Shto Si Goro
  • Dragana I Slavei
  • Dimyaninka

​Our group was inspired by the striking and beautiful music of Philip Koutev and the singers who gave life to the beautiful music.

Some of the Koutev songs were sung by the choirs that were part of Le Mystere des Voix Bulgares - The Mystery of Bulgarian Voices, which became very popular during the 1980s. A first album of Le Mystere was released in the U.S. in 1987 as a compilation of modern arrangements of old folk songs, which created a new choral tradition. It was a fusion of folk elements with western classical forms and harmonies. Volume 2 of Le Mystere was ranked by NPR as one of the greatest albums ever made by women​.

Our group also loved songs from the Rhodope region. We recorded a song we learned from the Kushlevi sisters, "Si Dyala Dona Radoljo," and also a song we learned from Jaap Leegwater, "Kitko Zelena."
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Philip Koutev
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Sestri Kushlevi
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Le Mystere des Voix Bulgares
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Jaap Leegwater
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Nevenka Eastern European Folk Ensembler
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Kitka Women's Vocal Ensemble
Zado is a 501(c)(3) organization and a member of the ​National Folk Organization (NFO).
We welcome people of all races, ethnicities, ages, abilities, gender, socioeconomic status, sexual orientations, and religions. 
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